Cultural institutions are recruiting people of color to direct their transformation efforts. But bringing in one manager doesn’t mean the work is done.
Each year, President Trump’s proposed federal budget eliminated funding for the National Endowment for the Arts. But the agency survived, largely by relying on bipartisan support in Congress.
The pandemic has decimated the livelihoods of those who work in the arts. How can the new administration intervene and make sure it doesn’t happen again? A critic offers an ambitious plan.
At the Whitney Museum, the enduring legacy of the Kamoinge photography collective — 14 distinctive talents finally in the spotlight.
A digital tribute to the Rev. Dr. Martin Luther King Jr. joins seven Brooklyn-based artists, and BAM.
Studio K.O.S. continues the legacy of the ’80s art collective that grew up, entered museums and regrouped in Hoboken.
A $1.6 billion transformation of a post office has given the city a lofty, light-filled steel, glass and marble cathedral, our critic writes.
Naomi Beckwith, who succeeds Nancy Spector, comes from the Museum of Contemporary Art Chicago and will help the museum work toward a more equitable work environment.
Officials unanimously voted to protect the $50 million artwork after the San Francisco Art Institute threatened to sell it to cover debts.
Over nearly a decade, Jonathan Petropoulos met dozens of times with a man who helped the Nazis loot Jewish art collections, a complicated relationship he explores in “Göring’s Man in Paris.”
Anne Saillant – Real Estate Agent